Less Is More – 20 Minimal Yet Memorable Album Covers
When you first walk into a music store, what is the first thing you see? What’s sticks out from the collage of artwork? Below is a collection of 20 album covers we think stand out from the bunch with it’s brilliant use of minimalism.
All album descriptions are (literally) copied and pasted from Wikipedia for a tad more insight on the album and design if mentioned. Cheers Jimmy Wales;)
The xx – xx (2009)
xx is the first studio album by English indie rock band The xx. Produced by the group themselves, it was originally released by Young Turks Records on August 17, 2009 in the United Kingdom and was released on October 20 in North America.
Digitalism – I Love You Dude (2011)
I Love You Dude is the second album from German electro duo Digitalism. It was released on 20 June 2011.
Metallica – Metallica (1991)
Metallica, informally known as The Black Album, is the fifth album by the American heavy metal band Metallica, released August 13, 1991 through Elektra Records. The album cover features the band’s logo, angled against the upper left corner, and a coiled snake (derived from the Gadsden flag) on the bottom right corner, both in a dark shade of gray in order to be made out against the black background. The motto of the Gadsden flag, “Don’t Tread on Me”, is also the title of a song on the album. The cover is reminiscent of Spinal Tap’s Smell the Glove album, something the band jokingly acknowledged themselves in their A Year and a Half in the Life of Metallica documentary (where members of Spinal Tap appeared and asked them about it).
Avenged Sevenfold – Avenged Sevenfold (2007)
Avenged Sevenfold is the fourth studio album by American rock band Avenged Sevenfold, released on October 30, 2007 through Warner Bros. Records. The album debuted at number 4 on the Billboard 200. On September 23, 2008, the album was certified Gold by the RIAA.
Dillinger Escape Plan – Ire Works (2007)
Ire Works is the fourth album by American mathcore band The Dillinger Escape Plan. The seemingly meaningless coloured blocks found in the cover booklet can be deciphered with either the input box at or the coloured blocks on the back cover, which are arranged as the alphabet. Once deciphered, the code reveals a message, including a number of well known quotes by eminent individuals such as Arthur C. Clarke, Henry Thoreau and Richard Dawkins.
Beck – The Information (2006)
The Information is the tenth (and seventh major-label) studio album by American alternative rock musician Beck, released in October 2006 on Interscope Records. The album was issued with a blank sleeve and booklet and one of four different sheets of stickers for fans to make their own album art. Beck explained to Wired magazine he wanted no two copies of the CD cover to be the same: “The artwork is going to be customizable. The idea is to provide something that calls for interactivity.” However, because the album art concept was seen as a gimmick to bolster retail sales, The Information was deemed ineligible to enter the UK Albums Chart.
Alexisonfire – Old Crows / Young Cardinals (2009)
Old Crows / Young Cardinals is the fourth studio album from post-hardcore band Alexisonfire, released on June 23, 2009. Art direction by Alexisonfire. Paintings, collage and design by Paul Jackson. Layout by Paul Jackson; assisted by Justin Ellsworth.
Pink Floyd – Dark Side Of The Moon (1973)
The Dark Side of the Moon is the sixth studio album by English progressive rock group Pink Floyd, and was released in March 1973. The album was originally released in a gatefold LP sleeve designed by Hipgnosis and George Hardie, and bore Hardie’s iconic dispersive prism on the cover. Hipgnosis had designed several of the band’s previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds, as they had expected to see traditional designs which included lettering and words. Designers Storm Thorgerson and Aubrey Powell were able to ignore such criticism as they were employed by the band. For The Dark Side of the Moon, Richard Wright instructed them to come up with something “smarter, neater—more classy”. The prism design was inspired by a photograph that Thorgerson had seen during a brainstorming session with Powell.
RX Bandits – Progress (2001)
Progress is an album released by Rx Bandits on July 17, 2001 through Drive-Thru Records. The LP was originally titled Artificial Intelligence and the Fall of Technology.
Ghostland Observatory – Robotique Majestique (2008)
Robotique Majestique is an album by Ghostland Observatory released on February 29, 2008 under Thomas Ross Turner’s label, Trashy Moped Recordings.
Them Crooked Vultures – Them Crooked Vultures (2009)
Them Crooked Vultures is the debut studio album by the rock supergroup Them Crooked Vultures that was released on November 16, 2009. Liam Lynch – artwork, graphic design. Morning Breath – art direction.
Yeah Yeah Yeahs – It’s Blitz! (2009)
It’s Blitz! is the third studio album by American indie rock band Yeah Yeah Yeahs, released March 9, 2009 on Interscope Records. The album was nominated for the Grammy Award for Best Alternative Music Album on December 2, 2009.
The Dirty Projectors – Bitte Orca (2009)
Bitte Orca is a studio album by American experimental rock band Dirty Projectors, released on June 9, 2009 on Domino Records.
Editors – The End Has a Start (2007)
An End Has a Start is the second album by British indie rock band Editors. It was released on June 25, 2007 in the UK and on July 17, 2007 in the US. The album was certified Platinum in the UK on the same day it was released. Idris Khan – Images, Cover Art.
Rolling Stones – Forty Licks (2002)
Forty Licks is a double compilation album by The Rolling Stones. A 40-year career-spanning retrospective, Forty Licks is notable for being the first retrospective to combine the band’s formative Decca/London era of the 1960s.
The Police – Ghost In The Machine (1981)
Ghost in the Machine is the fourth album by The Police, released in 1981. The cover art for Ghost in the Machine features a seven-segment display-inspired graphic that depicts the heads of the three band members each with a distinctive hair style (from left to right, Andy Summers, Sting with spiky hair, and Stewart Copeland with a fringe); the band was unable to decide on a photograph to use for the cover. Wire bonds can be seen on the original issue vinyl album cover, suggesting that the display is custom rather than merely seven-segment or perhaps is a photographic collage. The album’s cover is ranked at number 45 on VH1′s 50 Greatest Album Covers. The graphic was designed by Mick Hegarty.
Bloc Party – Silent Alarm (2005)
Silent Alarm is the debut studio album by British indie rock band Bloc Party. Recorded in Copenhagen and London in mid-2004 with producer Paul Epworth, it was released in February 2005 on Wichita Recordings. Ness Sherry – cover photograph. Paul Epworth – photography (except Russell, Copenhagen). Matt Tong – photography (Russell, Copenhagen).
Justice – Cross (2007)
†, alternatively known as Cross, is the debut album of the French electro house duo Justice, released on June 11, 2007.
Pet Shot Boys – Yes (2008)
Yes is the tenth studio album by English electronic duo Pet Shop Boys. The album sleeve was designed by Mark Farrow and Pet Shop Boys. The tick on the cover is made up of eleven coloured squares. It was inspired by German artist Gerhard Richter (who is referenced in the album’s opening track, “Love etc.”), specifically his 4900 exhibition at the Serpentine Gallery and the stained glass window in Cologne Cathedral.The album’s cover was nominated in the 2010 Brit Insurance Design Awards shortlist in the Graphics category.
Coldplay – X&Y (2005)
X&Y is the third studio album by English rock band Coldplay, released 6 June 2005 in the United Kingdom via the record label Parlophone. The artwork for X&Y was designed by graphic design duo Tappin Gofton, formed by Mark Tappin and Simon Gofton. The image, which is visualized through a combination of colours and blocks, is a graphical representation of the Baudot code, an early form of telegraph communication using a series of ones and zeros to communicate. The code was developed by Frenchman Émile Baudot in the 1870s, and was a widely used method of terrestrial and telegraph communication. The alphabet of the code is presented in the liner notes of X&Y, and if applied to the code of the cover image, reveals “X&Y”. The track listing, included on the booklet, CD, and back of the album, uses “X#” on tracks 1–6, and “Y#” on tracks 7–12, rather than the conventional track numbering system. This is a reference to the title of the album. Many pages in the booklet include photos of the band working on the album. The final page of the booklet contains the slogan “Make Trade Fair”, the name of the international organization which Chris Martin continues to support. The band dedicates the album to “BWP” that is presented also inside the liner notes; it stands for Bruce W. Paltrow, the late father of Martin’s wife, Gwyneth Paltrow. All singles released from the album feature their titles in the same code on their respective covers. Martin sometimes wears coloured tape on his hands while on stage, as a reference to the album.